Columbus, Foucault, and the New World as Keplerian Baroque Space

Brilliant! Love this blog!

Domestic Issue

Mid-summer progress report:

I’ve been engaged in some reading and rereading in anticipation of getting started on the third chapter of the book project, which will chiefly consist of readings of Cabeza de Vaca as he presents himself in Castaways and Cooper’s Natty Bumppo in The Last of the Mohicans and The Prairie.  I have also been editing the preface, the Columbus chapter, and the Faulkner and Amado chapter with the goals of trying to tighten up the writing.  Finally and most significantly, in the Columbus chapter I’ve incorporated an argument about the Baroque that you’ll see in this post.

A while back, I wrote in this post about Foucault’s reticence as to the causes of the shifts in ideas about language and space that are his subjects in, respectively, The Order of Things and “Of Other Spaces.”  For Foucault, the Baroque is the aesthetic of those shifts, but…

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